On the other hand, the second CD, totally subordinate to literary references –which is not a novelty for this composer–, starts with “La región más transparente” (“The most transparent region”) (1982), for flute and piano, based on an Aztec poem, which in its turn inspired Carlos Fuentes’ homonymous novel. In this case, the excellent participation of young flutist Niurka González, who adds to her technical mastery, a remarkable interpretative maturity, must be pointed out.
Clara Díaz Journal “Clave, Revista Cubana de Música” (Journal) Year: 5 Number: 2-3 Page 96.
English