Her musicality and perfect technique enable her to perform works of different latitudes and styles, from baroque to the most contemporary. Her interpretative maturity expresses itself in a personal impression that enthralls specialists and music-lovers. Her work comprises different projects with one sole purpose: to exalt good music.

… Then the beautiful Cuban soloist Niurka González played "Lamento por Rafael Orozco" (1996) on the clarinet, although in the program she appears as flautist and as such has won several prizes… In the melodic figurations of the clarinet, Niurka was especially musical during this melancholic piece that does not present major technical difficulties, except during the “cadenza” because of its high pitches.
Anonymous. (December, 2007) E mol, Chile

… Niurka González’s recital started with F. Doppler’s Hungarian Pastoral Fantasy. But once Niurka (born in Cuba) changed to Latin American music we could hear her in all her fullness, especially in Leo Brouwer’s “La región más transparente” (“The most transparent region”). Her deep expressiveness astonished me.
Mike MacMahon ( 2006) Pan Magazine, British Flute Society.

… in which occasion she again surprised and astonished with her supreme technique and musicality…
We are in front of a great musician: Niurka González
Leo Brouwer (August 1996), extract of a letter.

… It is too much for only one heart to verify that González, delicate in phrasing, impeccable in stresses and exquisite in sound tones, besides displaying an enviable sonority and power, every instant showed her technical mastery of not only the flute, but also the clarinet in pieces such as “Óleo de una mujer con sombrero” (Oil painting of a woman with hat); “Quién fuera”(Who could be); “América, te hablo de Ernesto” (America, I tell you of Ernesto); “Mariposas” (Butterflies), “El papalote” (The Kite)…
Jose Luis Estrada Betancourt (May, 2008) Periódico Juventud Rebelde, Cuba

… Niurka González –presently one of the most extraordinary young flautists in the world- with her brilliant interpretation of “La región más transparente” (“The most transparent region”)
…Isabelle Hernández (2004) Presentation of Master Leo Brouwer’s CD Homo Ludens.

… Especially, Niurka González, who played the “travesera” flute in such a way that everyone was amazed. It will be necessary to follow her track.
Anonymous (November, 2007), Telde, Tenerife, Spain

… Niurka González Núñez came afterwards to charm with her flute, the work performed: Concert for flute and orchestra in D major. The Cuban was totally devoted, deserving general applause, a fierce ovation and the recognition of her colleagues. It was enough to see González’s face to realize that to take a wind instrument and stand on stage, took something more than technique and hours of rehearsing.
Magdiel Torres Magaña (November 24th, 2006) Provincia de Michoacán newspaper, Mexico

…  The Cuban flautist Niurka González Núñez must be catalogued as a “virtuoso” of her instrument. Since she was very young, she has been harvesting undisputable success with her instrument. … Artists like her can –with excellence– do several things at the same time. In her case, she performs as one of the most important Cuban interpreters of the last years and, at the same time, altruistically dedicates herself to teaching.
Juan Piñera (December, 2006) extract of an article

… In the Concert for flute, the alternative given by the young Cuban Niurka González Núñez turned out to be inspiring. She has Mozart well under her skin and even more, a full sound, a delightful boldness in the figuration of cadenzas, she has a brilliant future around the corner
Pedro de la Hoz (february 1996) Periódico Granma.

… About the stature of Niurka González as musician, she speaks for herself, since she is magnificent throughout the whole disk…
Laura Inclán Narbona (July, 2002). Presentation of CD Flauta Virtuosa.

Her interpretations combines technical perfection with a passion that nearly makes me jump in my seat.
Robert Bigio (December 2004) Pan Magazine (British Flute Society)

… The flautist Niurka González Núñez was the soloist that played No. 2 Concert for flute and orchestra in D major, in which she displayed talent and virtuosity, as well as excellent technique and rhythm, which were immediately acknowledged by applauses from the audience.
Heriberto Cortés Vélez (November, 2006) Cambio de Michoacán newspaper, Mexico

… the huge possibilities of flautist Niurka González Núñez, to whose beauty of sound, we must add a true passion for communicating the undertone of each score.
Pedro de la Hoz (February, 2002), Periódico Granma.

…I declare we are in presence of a unique, exceptional talent, both for her qualities as instrumentalist, as well as for her musical gift… I think I can affirm that she will be the great flute player of South America in the future...

Alain Marion,  professor of flute National Conservatory in Paris (January 1995), extract from a letter

Los bonitos arreglos de la virtuosa Niurka González en flauta traversa y clarinete...

4 de diciembre de 2011

Fuente: Telam

Disponible en: http://www.telam.com.ar/nota/9420/

… Niurka González merits a separate paragraph, what a way this girl has of playing the flute and the clarinet! She really shone, in the technique and mastery of these instruments, which, although they sound very sweet, require special physical conditions. The rests, tones and even her body expression, showed us a young and brilliant artist, feminine and energetic. The audience, which is usually wise, rewarded her correspondingly: applauses that became an ovation.
Estrella Díaz (May, 2008) La Jiribilla, Cuba

… She has a great musicality, combined with a fine technique.
Eivind Aadland (February 1996), extract from a letter

Fans will be pleasantly surprised to hear Niurka González, a classically trained musician, accompanying him (Silvio Rodriguez) on a seductive flute.

… Niurka González successfully overcomes this trial. She has already revealed herself as an excellent flautist, as much for the achievement of a beautiful and heavenly sound…, as for the understanding of the style and ornamentation of the epoch.
María Antonieta Henríquez (2000). Presentation of CD Barroco Trópico

…However, the feminine touch could not be missing; Niurka González’s romantic flute could be heard throughout the stadium. She, with her unique charm and love for the instrument played, could bring out tears in the eyes of those present.
Orlando Santos (May 2007) Dominican Republic

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